That ensemble stands in for distinct sections of society: politics, law enforcement, religion, and so forth. His filmography has become a rich tapestry of subversive comedy that channels his favorite genres to challenge his audience’s expectations, in Spain and abroad.ģ0 Coins, or 30 Monedas in its original Spanish title, centers on three main characters: Father Vergara, the exorcist and ex-con priest Elena, the savvy and resourceful veterinarian and Paco, the town’s careful and unwilling mayor. And the weird, dark action dramas The Last Circus and Witching and Bitching showed the world how effortlessly he can combine heightened genre fare with a gut-wrenching emotional core. The comedic love letter to Westerns 800 Bullets explored the era of Spanish and spaghetti Westerns in a funny, heartfelt manner. His cult work ranges widely in tone and subject matter: the Christian end-of-the-world adventure The Day of the Beast redefined Spanish genre cinema and remains a beloved horror oddity. It’s a series of many treasures.ĭe la Iglesia has been churning out cult genre films for almost 30 years, from his 1993 science fiction comedy debut Mutant Action to his claustrophobic 2017 thriller The Bar. Christian mythology meets Lovecraftian terror in the latest genre-bending, endlessly entertaining effort from iconoclast Spanish filmmaker Álex de la Iglesia. Clearly, something is afoot in this eight-episode show about malevolent Christian forces trying to take control of a remote Spanish town, and eventually even the Vatican itself. Barely a few minutes into the HBO MAX series 30 Coins, viewers have already witnessed a cow giving birth to a human baby.
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